The Closed Study by Talitha Brewer

The room smelt musty, the half smoked pipe lay in the ashtray its bowl still half full of unused tobacco and the stem chewed around the mouth piece.

On the desk lay a type writer with a piece of paper still three quarters in the roller with the rambling words, little punctuation, in the form of an unfinished compaint letter to yet another politician or prominent figure, ranting about yet another injustice against the common man.  A book lay open on the desk its pages yellowed with age and the back broken where it had been flattened to be read, but the characters were not ones that were recognisable.

Cobwebs hung from the ceiling and festooned the bookshelves that lined the wall of the small cramped study.  However despite the obvious signs of years of neglect this was a room that had been used frequently in the past.  The books lining the shelves were well worn and the pages showing signs of having been well thumbed.  Some were half shoved back into between their fellows others were piled on top half falling of the end of the shelves.  Ornaments also lined the shelves jostling for space amongst the books, however these seemed to follow a nautical theme.

In the corner of the room the gauzy curtain fluttered in the breeze that blew in through the open door. On the floor down by the desk was a small writing wooden writing box.  The leather faded with age but the key was still in the lock with it’s contents on display.  Old letters wrapped in faded ribbon, a quill with the dry ink bottle in the allotted space, unused discoloured writing paper.

Beside the fireplace was a overflowing wastepaper basket, crumpled bits of paper with typewritten words littering the floor.  On the mantelpiece above the brick built hearth was a collection of photographs.  A tall statuesque man in uniform astride his horse, a severe looking woman with her hair dark drawn back in a tight bun.  A young couple in 1920s dress, the young man in naval uniform, obviously looking as though it was their wedding photograph, their smile reflecting their happiness.  There was then another of the young woman standing on a ship holding the hand of a young girl as they waved at someone on the dock, the buildings in the distance looking as though they were Chinese.  In keeping with the Chinese theme ,adorning the walls either side of the hearth were silk wall hangings.  The brilliant colours almost as bright as the day they had been made illustrating life in the far off land hundreds of years ago. 

To one side of one of the wall hangings was a further small shelf.  On it stood another faded sepia photograph, separate from the others.  This one was of the same man, a little older, but this time he stood with a young Chinese woman holding a baby.  Beside the photograph was the minutest pair of Chinese shoes.

2 thoughts on “The Closed Study by Talitha Brewer

  • 28th May 2020 at 9:42 am
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    Jackie says: I really enjoyed this- the room was richly described and had a complex and sad story woven within it. I deduced that the promise of the young 1920s marriage with a posting to China had somehow gone wrong, and he had acquired a concubine and a baby who he remembered fondly as well. But it isn’t clear, and I really wanted to know more. Perhaps he was writing to officials to try to bring his Chinese wife back to the UK? I suspect that the room’s owner has died, and the next chapter of this story would be for the granddaughter or son of the girl in the 1920s picture to go on a journey to find his or her Chinese relative.

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  • 26th May 2020 at 5:01 pm
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    This is very rich with detail. Every picture tells a story, and imagery in this piece starts a lot of potential stories before homing in on the one told in the old photographs. The reader is placed in the position of an investigator, searching for clues. The typewriter with its unfinished letter of complaint raises suspicions about the writer, but also poses the question: why did he stop? The ancient writing box is from another era, but why is it there? Is the owner of the typewriter doing research into history – or possibly family history? And what is typed on the scraps of paper in the wastepaper basket and littered on the floor? Come to that, why are the characters in the old book at the beginning ‘unrecognisable’? Does that tie in with the Chinese storyline at the end? The writer is almost playing with us, the readers, and thereby doing what all good writing should do – making us want to read on.

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